On her 70-year career, Louise Bourgeois has established herself as a world-renowned artist who left an indelible mark on the art world. This film offers an intimate portrait of this sculptor whose art is a reflection of her personal life. With exclusive audio recordings and unpublished personal archives, it tells the story of the artist’s life and work as they merge. Louise Bourgeois is her work and her sculpture is her body.

Race-car driver Blaine Striker grows concerned about his younger brother, a student at a medical school on the Caribbean island of St. Heron. General Turner has led a violent coup on this island and may be planning to blow up the school in order to blame the destruction on counterrevolutionaries. Striker infiltrates St. Heron, is captured, stripped to his tighty-whiteys, and electrotortured. He escapes, joins forces with the counterrevolutionaries, and foils a plot to assemble Russian missiles on the island.

Why does our modern world remain so violent? Explorer's Inside the Warrior Gene examines the work of a new breed of scientists who believe the answer may lie not in society, but in our DNA.

In a city full of "manele", drugs and illegal car races you don't survive unless you know how to pay. Sometimes with other's lives. Young people today are trying to adapt to a world without consciousness, a world of money, unscrupulous businesses. A film-adrenaline with accents of black humor, irony at the society which is run by large rubble and where life is just a currency.

Tito is a swindler who plans to appropriate a large sum of money supposedly sent abroad by airplane, with the complicity of Carlos, the cashier of a big company, who must put a time bomb aboard the airplane while keeping the money.

The film is about parents who wanted to build the house and gather together with their children in the house.

A recording of the Vakhtangov Theatre’s production of the play by Jean-Baptiste Molière."The Bourgeois Gentleman" is a brilliant, sparkling comedy by the great French literary classic Jean-Baptiste Molière. The attempts of an uneducated, ignorant, and coarse man with a great deal of money to present himself as a refined nobleman are nothing short of laughable.

The story was born from the pen of debutante Callie Khouri: Thelma, married to a macho man, and Louise, an independent waitress, go on a girls' getaway that turns into a runaway when the latter, during a stopover in a bar, shoots a man who was trying to rape her friend. But at the dawn of the 1990s, screens were dominated by testosterone-fueled opuses, and Hollywood studios were reluctant to entrust the steering wheel to a female duo. Seduced by the script, forwarded by his associate Mimi Polk, Ridley Scott agreed to produce the film and decided, against all odds, to direct it himself. Under the British director's watch, the two accidental outlaws, fabulously portrayed by Susan Sarandon and Geena Davis, flee across the vastness of the Far West on an emancipatory epic that sees them defy male oppression and reveal themselves to themselves.

Forty-year-old Joanne Guiberry runs a modest hairdressing salon in Saint-Pierre-et-Miquelon. Twice a year, at each solstice, she brightens up her rather dull life by meeting up with her lover. Twice a year, on the other side of the sea, on the banks of the immense St. Lawrence River, three hundred thousand snow geese land with a thunderous roar for a few weeks of feasting during their migration. Like a bridge between the time of the solstices and the time of the birds, there is Manon, a twenty-year-old student, and Louise, a large, wounded goose. Louise and Manon, each in their own way, will experience love and give Joanne a new lease on freedom.

Louise, ballerina at the Garnier Opera in 1895, rushes home after a show but is stopped by a friend asking for money. Louise knows what to do in order to repay her.